orgasm

immanuel e özendim olm.

reached the same sexual pleasure.[58]
the theme of orgasm survived during romantism and homoeroticism. percy bysshe shelley (1792-1822), "a translator of extraordinary range and versatility",[59] in fragment: supposed to be an epithalamium of francis ravaillac and charlotte cordé, wrote phrase "no life can equal such a death.", that has been seen as a metaphor for orgasm,[60] and that was preceded by a rhythmic urgency of the previous lines "suck on, suck on, i glow, i glow!", alluding explicitly to fellatio.[60] for shelley, orgasm was "the almost involuntary consequences of a state of abandonment in the society of a person of surpassing attractions."[61] edward ellerker williams, the last love of shelley's life, was remembered by the poet in "the boat on the serchio", which is seen as probably "the grandest portrayal of orgasm in literature":[60]
the serchio, twisting forth
between the marble barriers which it clove
at ripafratta, leads through the dread chasm
the wave that died the death which lovers love,
living in what it sought; as if this spasm
had not yet passed, the toppling mountains cling,