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    açıklayın beyler
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  1. 2.
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    insanın kendine yakışanı giymesidir
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    izmirin kızı deniz
    denizi kız kokar
    sokakları hem kız hem deniz kokar
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    Hava kapalı olunca insanın içine düşen sıkıntının diğer adıdır
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    An oratorio is a large musical composition including an orchestra, a choir, and soloists. Like an opera, an oratorio includes the use of a choir, soloists, an ensemble, various distinguishable characters, and arias. However, opera is musical theatre, while oratorio is strictly a concert piece—though oratorios are sometimes staged as operas, and operas are sometimes presented in concert form. In an oratorio there is generally little or no interaction between the characters, and no props or elaborate costumes. A particularly important difference is in the typical subject matter of the text. Opera tends to deal with history and mythology, including age-old devices of romance, deception, and murder, whereas the plot of an oratorio often deals with sacred topics, making it appropriate for performance in the church. Protestant composers took their stories from the Bible, while Catholic composers looked to the lives of saints. Oratorios became extremely popular in early 17th century Italy partly because of the success of the opera and the Church's prohibition of spectacles during Lent. Oratorios became the main choice of music during that period for opera audiences.
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    Mr. gugıla soraydın eyiydi.
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    Oratorium est genus musicum narrativo-dramaticum. Compositio pluribus partibus constat. Cantores, qui singuli vel concentu plurium vocum canunt, chorus et orchestra res plerumque spirituales auditui praebent, non autem, ut in opera, ludo scaenico repraesentant.
    Verbum "oratorii" originem generis memorat, quod initio in Oratorio Sancti Philippi Neri (Romae) e meditationibus musica instructis ortum nomen loci recepit.
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    hani kalp ameliyatlarında kalpteki bir damardaki damar tıkanıklığı yapan kan hücrelerinin herbirine verilen isim
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    traktör markası
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    L'oratorio è una composizione musicale d'ispirazione religiosa, ma non liturgica, con trama compiuta, presentata in forma narrativa ma senza rappresentazione scenica, mimica e personaggi in costume; viene fatto derivare dalla Lauda cinquecentesca. Più ancora che in quella, qui la musica ha lo stesso carattere e il medesimo stile di quelle che saranno, da lì a poco, le opere teatrali puramente intese. Viene definito in diversi modi: historia, melodramma, cantata e dialogo.
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